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Friday, October 12, 2012
"MAATTRRAAN" MOVIE REVIEW
MAATTRRAAN MOVIE REVIEW
Starring: Suriya, Kajal Aggarwal, Sachin Khedekar, Vivek Oberoi
Direction: K. V. Anand
Music: Harris Jayaraj
Production: AGS Entertainment, Kalpathi S. Aghoram
Maattrraan brings together the tested hit combination of
director K V Anand and Suriya once again after Ayan. Touted to be the
first Indian film to use performance capture technology, Maattrraan
centers on conjoined twins as a basic arc but delves more on the adverse
effects of genetic engineering when man starts thinking himself to be
God.
Anand’s previous films have established him as a mainstream movie maker with a lucid understanding of the semiotics of commercial film making that entertains and educates the audience to certain extent.
To hook the contemporary attention-scant viewer to the screen for an extended period is an uphill task and Anand succeeds in this domain fairly well. Good looking and efficient cast, rich and grandeur visuals, pleasing music, energetic stunts, an interesting premise and an able direction help him in this endeavor.
Interestingly for Suriya this is his second film on the subject of genetic engineering immediately after 7aum Arivu. Whether it is a restrained reaction or a cheerful retort, this hardworking actor delivers it with consummate ease. As the flamboyant Agilan or the grey matter rich Vimalan, Suriya brings out the necessary dichotomy quite well, very typical of him. His sincerity and dedication is palpable in every frame. Be it the action sequences or the romantic frames, Suirya crafts a niche performance.
Kajal Agarwal has a significant role to play too and she pulls it off successfully. Chinmayee has dubbed for Kajal and the fact that the former can speak good Russian helps the character appreciably. However, even during serious scenes, the lady seems to be having a cheerful disposition! Sachin Kadekar has a meaty role next only to the hero and he gets his acts right with his fine portrayal as a maverick scientist. Tara who featured as Karthik’s little sister in Agni Natchathiram is Suriya’s mom in Maattrraan and the lady fits her role perfectly.
One of the major highlights of the film is its VFX. Helmed by Srinivas Mohan of Endhiran fame, the VFX team has worked hard and it is evident in all the frames that feature the conjoined twins. The action sequence at the roller coaster ride is the best example where all the departments like the camera, stunt, VFX and Suriya have worked in epic tandem and the result is brilliant. Editing plays a crucial role in such visual effects intensive movies and editor Antony has done complete justice to his craft.
Cinematographer Soundarrajan creates a huge canvas in song sequences in the Nani Koni number and fills it with rich and spectacular sights. The splendor of Norway is breathtaking in this song. In all, the film looks rich and grandeur, thanks to Soundarrajan’s angles and lighting. Scintillating songs and good RR of Harris Jeyaraj enhance the appeal. Kaal Mulaithe Poove is a visual and an aural delight. Other tracks are also humworthy.
It is apparent that stunt master Peter Hein has worked over time to get the appropriate effect more so when the scene involves conjoined twin. However the scene in the forest towards the climax is a long drawn affair and could have been trimmed.
The concept of genetic engineering and especially baby designing is new to Tamil cinema (or even to Indian cinema?) and Anand has packaged this concept interestingly. Humor does not course through the films’ veins but the scene at the theatre when the impish Suirya teaches a few lessons on romance to the somber Suriya provides light moments.
KV Anand has managed to make the script pacy. However at 2 hours and 48 minutes, the movie still feels a tad lengthy. This could have been reduced.
There is a pattern in K V Anand’s films. There is a definite social message which he masquerades with commercial components and packages it interestingly. Maattrraan also follows the route and it delivers what it promises- a rich and stylish entertainer with an interesting story.
Verdict: A rich and grandeur entertainer
Rating:
Courtesy: BEHINDWOODS
Starring: Suriya, Kajal Aggarwal, Sachin Khedekar, Vivek Oberoi
Direction: K. V. Anand
Music: Harris Jayaraj
Production: AGS Entertainment, Kalpathi S. Aghoram
Anand’s previous films have established him as a mainstream movie maker with a lucid understanding of the semiotics of commercial film making that entertains and educates the audience to certain extent.
To hook the contemporary attention-scant viewer to the screen for an extended period is an uphill task and Anand succeeds in this domain fairly well. Good looking and efficient cast, rich and grandeur visuals, pleasing music, energetic stunts, an interesting premise and an able direction help him in this endeavor.
Interestingly for Suriya this is his second film on the subject of genetic engineering immediately after 7aum Arivu. Whether it is a restrained reaction or a cheerful retort, this hardworking actor delivers it with consummate ease. As the flamboyant Agilan or the grey matter rich Vimalan, Suriya brings out the necessary dichotomy quite well, very typical of him. His sincerity and dedication is palpable in every frame. Be it the action sequences or the romantic frames, Suirya crafts a niche performance.
Kajal Agarwal has a significant role to play too and she pulls it off successfully. Chinmayee has dubbed for Kajal and the fact that the former can speak good Russian helps the character appreciably. However, even during serious scenes, the lady seems to be having a cheerful disposition! Sachin Kadekar has a meaty role next only to the hero and he gets his acts right with his fine portrayal as a maverick scientist. Tara who featured as Karthik’s little sister in Agni Natchathiram is Suriya’s mom in Maattrraan and the lady fits her role perfectly.
One of the major highlights of the film is its VFX. Helmed by Srinivas Mohan of Endhiran fame, the VFX team has worked hard and it is evident in all the frames that feature the conjoined twins. The action sequence at the roller coaster ride is the best example where all the departments like the camera, stunt, VFX and Suriya have worked in epic tandem and the result is brilliant. Editing plays a crucial role in such visual effects intensive movies and editor Antony has done complete justice to his craft.
Cinematographer Soundarrajan creates a huge canvas in song sequences in the Nani Koni number and fills it with rich and spectacular sights. The splendor of Norway is breathtaking in this song. In all, the film looks rich and grandeur, thanks to Soundarrajan’s angles and lighting. Scintillating songs and good RR of Harris Jeyaraj enhance the appeal. Kaal Mulaithe Poove is a visual and an aural delight. Other tracks are also humworthy.
It is apparent that stunt master Peter Hein has worked over time to get the appropriate effect more so when the scene involves conjoined twin. However the scene in the forest towards the climax is a long drawn affair and could have been trimmed.
The concept of genetic engineering and especially baby designing is new to Tamil cinema (or even to Indian cinema?) and Anand has packaged this concept interestingly. Humor does not course through the films’ veins but the scene at the theatre when the impish Suirya teaches a few lessons on romance to the somber Suriya provides light moments.
KV Anand has managed to make the script pacy. However at 2 hours and 48 minutes, the movie still feels a tad lengthy. This could have been reduced.
There is a pattern in K V Anand’s films. There is a definite social message which he masquerades with commercial components and packages it interestingly. Maattrraan also follows the route and it delivers what it promises- a rich and stylish entertainer with an interesting story.
Verdict: A rich and grandeur entertainer
Rating:
Courtesy: BEHINDWOODS
Thursday, October 11, 2012
"THUPPAKKI" MUSIC REVIEW
THUPPAKKI MUSIC REVIEW
Starring:
Vijay, Kajal Aggarwal, Jayaram, Vidyut Jamwal,
Sathyan
Direction: A. R. Murugadoss
Music: Harris Jayaraj
Production: Kalaipuli S. Dhanu
THUPPAKI TEASER:
Direction: A. R. Murugadoss
Music: Harris Jayaraj
Production: Kalaipuli S. Dhanu
Thuppakki brings together Vijay and Harris
Jayaraj again after the successful Nanban,
for one of the year’s most anticipated
projects. The album has 6 songs and 1 instrumental
theme. One of the key highlights being the
return of Vijay as a singer.
Kutti Puli Kootam..
Singer(s): Hariharan, Tippu, Additional vocals by Narayanan, Satyan & Ranina Reddy
Lyrics: Viveka
A wailing chant in Hindi welcomes the listeners and they are soon greeted by galloping Indian percussions. The lyrics indicate it to be the hero’s introduction but it’s refreshingly restrained rather than being an over-the-top explosive intro song. The orchestration during the verses is fairly minimalistic throwing emphasis in the words and the rhythm. Hariharan delivers this song in his imitable style and injects the tune with more energy. The chorus adds the cherry on top of this treat for Vijay fans.
Antartica..
Singer(s): Vijay Prakash, Krish, Rajeev (Rap), Additional vocals by Devan
Lyrics: Karky
The track is completely guitar driven. There are strains of acoustic, distortion and a funk style guitar sound that make for the groove of the song. The combination of Vijay Prakash and Krish sounds like a good choice of singers for Vijay. The vocal harmonies on show are beautifully executed. The words by Karky are youthful.
Poi Varava..
Singer(s): Karthik, Additional Vocals by Chinmayi
Lyrics: Pa. Vijay
A melancholic tune set to the sounds of mostly an acoustic guitar. The words by Pa.Vijay suggest that this is a song about the pain of an army officer leaving home. The beautiful bugle interlude reaffirms the connection with the army. The song attempts to capture both the patriotic as well as the human emotions of a soldier. Karthik sings it in just the right emotions to raise enough sympathy without making it sound overtly pathos.
Google google..
Singer(s): Vijay, Andrea, Rap – Joe, Krishna Iyer
Lyrics: Karky
Harris offers a track in the electropop genre that’s become ever so popular with artists like LMFAO and Psy. The song’s real highlight would certainly have to be the playful lyrics. The words are carefully penned to cater to the youth’s current sensibilities like nightlife, internet and so forth. The song serves as perfect platform for Vijay to return as a singer and he performs it in a gracefully laidback style that’s a reflection of his personality. The spoken-word rap segments are quirky and enjoyable and build up nicely to a catchy chorus. One feels that the track might also give some insight about the chemistry between the lead pair.
Vennilave..
Singer(s): Hariharan, Bombay Jayashri
Lyrics: Na. Muthukumar
Harris Jayaraj turns to his ace singing pair of Hariharan and Bombay Jayashri to croon this melody. This is probably the reason why this song gives the listener some semblance of compositions from Bheema. The song opens with a charming Hindi chorus but makes a forceful transition into the Tamil verses. But the Hindi chorus returns later in the song justifying its presence. Flute and Flamenco parts featured in this track stand out for instrumental performances. Adding a delay to the flute solo is a clever production by the composer. Na. Muthukumar’s words are deep and romantic.
Alaikka laikaa…
Singer(s): Javed Ali, Sayanora Philip, Sharmila
Lyrics: Pa. Vijay
It’s total electric guitar overdrive on this song that’s backed by a pounding drum-line that is sustained throughout the song. The drum-line helps to keep the track up-tempo and bouncy all throughout. The guitar picking in the background is a common Harris touch but it can go unnoticed if your volume levels are low. The lyrics are designed to play to the gallery by keeping it colloquial and fun like making references to Agarwal sweets and such. Javed Ali and Sayanora lend their unique voices for a track that is manufactured towards Vijay’s strength as a supreme dancer.
Jagdish On A Mission (Theme)
Instrumental
The theme traverses from a down tempo electronic segment that has heroic undertones into a menacing distorted guitar driven hard rock segment that’s racy and intense only to return to the opening down tempo segment, this time sounding accomplished and victorious.
Verdict: Overall it’s a good album with tracks that you can trust Vijay to add a lot of weight to with his dancing skills.
Rating:
Kutti Puli Kootam..
Singer(s): Hariharan, Tippu, Additional vocals by Narayanan, Satyan & Ranina Reddy
Lyrics: Viveka
A wailing chant in Hindi welcomes the listeners and they are soon greeted by galloping Indian percussions. The lyrics indicate it to be the hero’s introduction but it’s refreshingly restrained rather than being an over-the-top explosive intro song. The orchestration during the verses is fairly minimalistic throwing emphasis in the words and the rhythm. Hariharan delivers this song in his imitable style and injects the tune with more energy. The chorus adds the cherry on top of this treat for Vijay fans.
Antartica..
Singer(s): Vijay Prakash, Krish, Rajeev (Rap), Additional vocals by Devan
Lyrics: Karky
The track is completely guitar driven. There are strains of acoustic, distortion and a funk style guitar sound that make for the groove of the song. The combination of Vijay Prakash and Krish sounds like a good choice of singers for Vijay. The vocal harmonies on show are beautifully executed. The words by Karky are youthful.
Poi Varava..
Singer(s): Karthik, Additional Vocals by Chinmayi
Lyrics: Pa. Vijay
A melancholic tune set to the sounds of mostly an acoustic guitar. The words by Pa.Vijay suggest that this is a song about the pain of an army officer leaving home. The beautiful bugle interlude reaffirms the connection with the army. The song attempts to capture both the patriotic as well as the human emotions of a soldier. Karthik sings it in just the right emotions to raise enough sympathy without making it sound overtly pathos.
Google google..
Singer(s): Vijay, Andrea, Rap – Joe, Krishna Iyer
Lyrics: Karky
Harris offers a track in the electropop genre that’s become ever so popular with artists like LMFAO and Psy. The song’s real highlight would certainly have to be the playful lyrics. The words are carefully penned to cater to the youth’s current sensibilities like nightlife, internet and so forth. The song serves as perfect platform for Vijay to return as a singer and he performs it in a gracefully laidback style that’s a reflection of his personality. The spoken-word rap segments are quirky and enjoyable and build up nicely to a catchy chorus. One feels that the track might also give some insight about the chemistry between the lead pair.
Vennilave..
Singer(s): Hariharan, Bombay Jayashri
Lyrics: Na. Muthukumar
Harris Jayaraj turns to his ace singing pair of Hariharan and Bombay Jayashri to croon this melody. This is probably the reason why this song gives the listener some semblance of compositions from Bheema. The song opens with a charming Hindi chorus but makes a forceful transition into the Tamil verses. But the Hindi chorus returns later in the song justifying its presence. Flute and Flamenco parts featured in this track stand out for instrumental performances. Adding a delay to the flute solo is a clever production by the composer. Na. Muthukumar’s words are deep and romantic.
Alaikka laikaa…
Singer(s): Javed Ali, Sayanora Philip, Sharmila
Lyrics: Pa. Vijay
It’s total electric guitar overdrive on this song that’s backed by a pounding drum-line that is sustained throughout the song. The drum-line helps to keep the track up-tempo and bouncy all throughout. The guitar picking in the background is a common Harris touch but it can go unnoticed if your volume levels are low. The lyrics are designed to play to the gallery by keeping it colloquial and fun like making references to Agarwal sweets and such. Javed Ali and Sayanora lend their unique voices for a track that is manufactured towards Vijay’s strength as a supreme dancer.
Jagdish On A Mission (Theme)
Instrumental
The theme traverses from a down tempo electronic segment that has heroic undertones into a menacing distorted guitar driven hard rock segment that’s racy and intense only to return to the opening down tempo segment, this time sounding accomplished and victorious.
Verdict: Overall it’s a good album with tracks that you can trust Vijay to add a lot of weight to with his dancing skills.
Rating:
THUPPAKI TEASER:
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